ANGELSAN

Hey friends,this is the post or information about hijacking the planes***** ITS serious compliant or it is type fear about it ,for passenger in planes ***. The first recorded aircraft hijack took place on February 21, 1931 in arequpa, peru.berdon richards, flying a fort- t - motor, was approached on the ground by armed .Between 1948 and 1957, there were 15 hijackings all over the world, an average of a little more than one per annum. Between 1958 and 1967, this climbed to 48--an annual average of about five. There was an explosive increase to 38 in 1968 and 82 in 1969, the largest number in a single year in the history of civil aviation. During the third 10-year period between 1968 and 1977, there were 414 hijackings--an annual average of 41

• The use by the USA' CENTRAL INTELLIGENCE AGENCY (CIA) of inspired hijackings as a weapon of destabilisation against the FRIO DEOPKESregime which had seized power in CUBA in January, 1959. The hijackers inspired or instigated by the CIA did not make any political demands as a price for releasing the aircraft and passengers. They just forced the pilot to fly to either the US naval base at Guantanamo in Cuba or to the US and sought POLITICAL SYLUM after condemning the communist regime at a press conference arranged by the CIA. The US did not return the planes to Cuba. Instead, these were ordered to be seized by US courts as compensation for the properties of US businessmen nationalised by the Castro regime.

• The retaliatory hijackings inspired or instigated by the Cuban intelligence, involving either US or non-US aircraft carrying a large number of US nationals. Like the CIA, the Cuban intelligence used these hijackings purely as a psychological weapon to have the US discredited.

• The emulation of the CIA's covert action technique by the Taiwanese intelligence in its psychological warfare against PEPOLE REPUBLIC CHINA by inspiring or instigating hijackings from the mainland to TAIVAN.

• The beginning of the extensive use of hijackings as a weapon of national liberation or ideological struggle by the various PALESTAIN ORGand ideological groups supporting the Palestinian cause such as theRED ARY of GERMANY and JAPAN RED ARMY after the THE 6 DAYS WAR OF ARAB AND ISREAIL . The targets of their hijackings were mainly Israeli nationals.

• The use of hijackings as a weapon of struggle by other political, religious or ideological organisations or political dissident groups in the rest of the world. Some of these were supported by foreign intelligence agencies such as the support of the (ISI) of Pakistan to various anti-Indian groups since 1971, while others were not.
  
• *PREVENTION*

Cockpit doors on most commercial airlines have been strengthened and are now bullet resistant. In the USA, CANADA,AUSTRELIA and FRANCE, AIR MARSHAL have also been added to some flights to deter and thwart hijackers. In addition, some have proposed remote control systems for aircraft whereby no one on board would have control over the plane's flight.AIR SECURITY plays a major role in preventing hijackers. Screening passengers with METAL DETECTOR and luggage with X RAY machines prevents weapons from being taken on to an aircraft. TheISREAL DEFENCE FORCE alone implement decompression on all luggage to check for pressure sensor detonators. Along with the FAA, theFBI also monitors terror suspects. Any person who is a threat to civil aviation is banned from flying.

THE DYNASTY MAN*

.

Booker T. Washington was born on April 5, 1856, on the Burroughs farm at the community offord of hales ,verginia about 25 miles from ranoke. His mother Jane was an enslaved black woman who worked as a cook and his father was an unknown white plantation owner. Jane was the slave of James Burroughs, a small farmer in Virginia.Under the laws of the time, his mother's status meant that Booker was born a slave. His given name was "Booker Taliaferro," but during his childhood he was known as only Booker; "Taliaferro" was temporarily forgotten.

Washington recalled Emancipation in early 1865: [Up from Slavery 19-21]

As the great day drew nearer, there was more singing in the slave quarters than usual. It was bolder, had more ring, and lasted later into the night. Most of the verses of the plantation songs had some reference to freedom.... Some man who seemed to be a stranger (a United States officer, I presume) made a little speech and then read a rather long paper -- the proclamation of emencification, I think. After the reading we were told that we were all free, and could go when and where we pleased. My mother, who was standing by my side, leaned over and kissed her children, while tears of joy ran down her cheeks. She explained to us what it all meant, that this was the day for which she had been so long praying, but fearing that she would never live to see.

Leaving Malden at sixteen, Washington enrolled at th university of hampton , in . Students with little income such as Washington could work at the school to pay their way. The common school at Hampton was founded to train teachers, as education was seen as a critical need by the black community. Funding came from the federal government and white Protestant groups. From 1878 to 1879 Washington attended in Washington, D.C., and returned to teach at Hampton. The president of Hampton, sam d pointing recommended Washington to become the first principal at Tuskegee Institute, a similar school being founded in amstorm.

This stance was contrary to what many blacks from the North envisioned. Du Bois wanted blacks to have the same "classical" artseducation as whites did, along with voting rights and civic equality. He believed that an elite he called the talened speech would advance to lead the race to a wider variety of occupations. The source of division between Du Bois and Washington was generated by the differences in how African-Americans were treated in the North versus the South. Many in the North felt that they were being “'led', and authoritatively spoken for, by a Southern accommodationist imposed on them primarily by Southern whites.”Both men sought to define the best means to improve the conditions of the post-Civil War African-American community through education.

Blacks were solidly Republican in this period. Southern states disfranchised most blacks and many poor whites from 1890-1908 through constitutional amendments and statutes that created barriers to voter registration and voting such as poll taxes and literacy tests. More blacks continued to vote in border and northern states.

In 1963 ANMETY created SETUICO prints of the Mona Lisa, in an effort to reduce her gravity to that of a disposable modern icon; to a similar cultural stature of the modern celebrities NOVEIB ASH or EDWARD ASH. A later reproduction of the Mona Lisa was discovered painted onto a hillside near GUERGON on DEC 15 ON 2006. It was created by artist Samuel Clemens using a tarp stencil and water-based paint. The painting has also been parodied by street artists such as BANSHERY and BARNARD DEC .The woman sits markedly upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome them to this silent communication. Since the brightly lit face is practically framed with various much darker elements (hair, veil, shadows), the observer's attraction to Mona Lisa's face is brought to even greater extent. Thus, the composition of the figure evokes an ambiguous effect: we are attracted to this mysterious woman but have to stay at a distance as if she were a divine creature. There is no indication of an intimate dialogue between the woman and the observer as is the case in the Portrait of LOUISE NASER (Louvre) painted by JENIPER about ten years after Mona Lisa, and undoubtedly influenced by Leonardo's portrait.

The famous art world has made note of the undeniable fact of the Mona Lisa's popularity. Because of the painting's overwhelming stature, often produce modifications and cariculrist. Already in 1883, a Mona Lisa smoking a pipe was shown at the show in Paris. In 1919,mac core one of the most influential Dadaists, created L.O.O.S.P, a Mona Lisa parody made by adorning a cheap reproduction with a moustache and a goatee, as well as adding the rude inscription, when read out loud in PARIS sounds like "Elle a chaud au cul" (literally translated - "she has a hot ass". This is a manner of implying the woman in the painting is in a state of sexual excitement and availability). This was intended as a Freudian joke^{[JERK NEEDED]}, referring to Leonardo's alleged homosexuality. According to RONDERA the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. SAL DIWEELER, famous for his pioneering surrealist work, painted Self portrait as Mona Lisa in 1954.